段一·现身
二〇三七年八月二十六日,礼拜三,弗雷斯诺。
纸盘摊在地上,第七天了。
一百零四度,一百零六度,一百零三度,天一直是蓝的,一丝云也没有。
葡萄在纸盘上一天一天变,头两天是绿里透褐,第四天褐多绿少,第七天,皱了,颜色往紫黑里走。
这七天,马可每天早上跟着 Martin,沿着一排一排走,蹲下去,从纸盘上抓一把,攥紧,松开,看它散不散。
头几天,一攥一团,松开了还粘着。第七天,松开的时候,有一半自己散开了。
Martin 说:再过三四天,翻盘。再过几天,卷。
地里一股味道,甜的,焦的,太阳晒着一地的葡萄,是这个味道。
每天早上,Rose 让 Nora 扶着,到地头坐一会儿。
她不看地,看西南边的天。
每天晚上,Nora 把手机上的天气预报念给她听。
八月二十二日:墨西哥外头海上,一团云,往北走。下雨的可能,一成五。
八月二十四日:那一团云变大了,有了名字,是一个热带风暴。尾巴有可能扫到加州南边。谷地,一成五。
Rose 听完说:有了名字的,都不好惹。
她又说:没名字的,也不好惹。
八月二十六日:风暴往北偏了一点。谷地,两成。时候是三十一号夜里到九月一号早上。
八月二十八日:两成。八月二十九日:两成五。
Nora 念完,屋里没有人说话。
过了一会儿,Nora 自己说:我那一半挂在架子上,要是下了雨,泡不着地。
Rose 说:泡不着地,淋得着。
Nora 那一半,挂在架子上的,比地上的干得慢,皱是皱了,颜色还是褐的,不往紫里走。
她说:挂着的,淋了,风一吹就干,坏得少。躺在地上的,淋了,底下是土,干不了。
她说:所以你改了一半。我知道你为什么改。
Martin 坐在桌子那头,拿一块布擦他那把剪子,擦了很久。
那把剪子,四十一年了。
Rose 说:本子拿来。
Nora 去她床底下,把那只箱子拖出来。
Rose 没让她拿今年那一本。她说:把下了的那几年,都拿来。
七十一个九月,下了的,十三年。
马可拿了一张纸,一年一行。Rose 念,他写:第几天下的,下了几天,泡掉几成。
Nora 一本一本抽出来,摞在桌上。
Rose 一本一本翻到最后一页,看。
看完了,她跟马可说:十三年里头,有九年,是摊下去第十天到第十八天之间下的。
马可那张纸上,十三行,九行写着十几天,两行写着第八天第九天,两行写着二十天以后。
她说:那几天,葡萄半干,最怕雨。全湿的,淋了还能晒;全干的,淋了一吹就干。半干的,一淋,皮一破,糖出来,招虫,长毛。
她说:今年三十一号,是第十一天。
马可说:两成。
Rose 说:两成。
她说:一成的时候,我叫他们收。两成,就卷。
Nora 说:奶奶,第十一天就卷,早了。卷早了,里头的没干透,卷在纸里头,会捂。
Rose 说:我知道。
她又说:二十九号本来该翻盘。不翻了。翻了再卷,葡萄多受一回罪。
她说:捂的,捂坏一成。淋的,淋坏一半。
她说:三十号,再看一天预报。三十号晚上还是两成以上,三十一号一早,卷。
那天夜里,Rose 跟马可在门廊上坐了一会儿。
她说起了 Harry。
她说:他是隔壁镇上的,一九六五年娶的我。他不信我看天,可他信我摊盘。
她说:他走了以后,我一个人看天,看了二十八年。
她问马可:你妈缝了十三年?
马可说:十三年,夜里。
Rose 说:她缝十三年,我记七十一年。都是夜里的活。
三十号是礼拜天。下午五点,新泽西晚上八点,他妈打来视频。
马可跟她说了那一团云,说了两成,三成,说了明天一早要卷。
他妈听完,说:你夜里陪着她。
她说:她那七十一年,九月里,都是一个人夜里起来看的。
那天晚上,Carol 也打来电话,问明天要不要她来。
Rose 让 Nora 跟她说:来。
段二·古文镜像
“群儿戏于庭,一儿登瓮,足跌没水中,众皆弃去,光持石击瓮破之,水迸,儿得活。”
“以圆木为警枕,少睡则枕转而觉,乃起读书。”
“臣之精力,尽于此书。”
English Mirror: "The children were playing in the courtyard. One climbed onto a great water jar, lost his footing and fell in. The others all ran off. Guang took a stone and smashed the jar; the water burst out, and the child lived." — "He used a round log as a waking pillow: when he fell into deep sleep the pillow rolled and he woke, and got up to read." — "All your servant's strength has been spent on this book."
司马光是那天夜里来的。
三十日晚上,预报没有变。三成。
Nora 念完,Rose 把手放在本子上,没有翻开。
三十一日早上五点,天还没亮,Rose 让 Nora 把她扶到地头。
她在椅子上坐下,说:卷。
声音不大。地里每一个人都听见了。
Martin 已经在地里了。Nora,马可,隔壁两家的年轻人,还有 Carol。
Martin 什么也没问,弯下腰,掀起第一张纸盘的一头,就卷。
Carol 是头一天晚上听说的,一早开车来了。她说,她验了三十年,没见过卷盘,也没见过卷盘是为了躲雨。
卷盘,是把纸盘的一头掀起来,连着上头的葡萄,一点一点往另一头卷,卷成一个筒,像一根粗粗的纸卷烟,两头折起来,摆在斜坡上。
葡萄裹在纸里头,雨落下来,落在纸上,顺着纸往下流,流到斜坡底下。
卷得松了,里头透气,捂不坏;卷得紧了,雨进不去。松紧,全在手上。
Rose 坐在地头,看着第一排的第一张卷起来,说:再松一点。
Carol 卷的第一张,卷得太紧,像一根棍子。
Rose 让她拆了,重卷。Carol 拆了,又卷了一回,卷完了,自己先笑了。
她说:我验了三十年葡萄干,头一回知道,它们在地里还要受这么多罪。
第二张,她说:行。
四千多张,从天亮卷到天黑。
隔壁那两个年轻人卷得快,一张纸盘,掀起来,一滚,两头一折,不到一分钟。
马可卷得慢,头几张,两头折不齐,葡萄从边上漏出来。Nora 蹲在他旁边,卷一张给他看,他再卷。
卷到中午,他的手指头上,全是葡萄的糖,黏的,纸屑粘在上头。
中午一百零二度,没有人停。
Carol 从车里拿出一大壶冰水,一人倒一杯,喝完了接着卷。
下午,隔壁那一家的老头过来了,站在地头看了一会儿。
他跟 Rose 说:才三成,就卷?
Rose 说:三成。
老头摇摇头,说:我们家不卷。卷早了,少卖钱。
Rose 没接话。
老头站了一会儿,回去了。
太阳落山的时候,老法子那一半地里,一排一排,全是一根一根纸卷,躺在斜坡上,像一地的木头。
Nora 那一半,没什么可卷的,葡萄挂在架子上。她让隔壁的两个年轻人,帮她把架子底下的土耙了一遍,怕下了雨,溅起泥来。
西南边的天上,那一层白的云,厚了,往上长,底下是灰的。
太阳落下去的地方,天是红的,红得发紫。
那天夜里,马可没睡。
他搬了一把椅子,坐在 Rose 那扇朝西南的窗户跟前。
窗台上放着一台旧收音机,Rose 没开。
Rose 也没睡。她坐在另一把椅子上,腿上盖着毯子,那本二〇三七年的本子,摊在膝盖上。
本子上夹着一支铅笔,削得很尖。
Martin 在隔壁屋里,和衣躺着,靴子没脱。
Nora 在楼上。马可听见她在楼上走来走去,走一会儿,停一会儿。
十二点,风来了。
先是院子里那棵树的叶子响,一阵一阵的,然后窗户框子也响了。
风是湿的。
Rose 说:转了。
她说:西南来的风,是从海上过来的,带着水。
一点,马可起来,到门廊上看。
门廊的台阶上,坐着一个人。
是个老人,穿一件宽大的旧袍子,头上戴一顶黑的软帽,胡子很长,是白的。
他身边放着一根圆木头,一尺多长,碗口那么粗,两头磨得发亮。
那两头磨亮的地方,是十九年,一颗头压出来的。
他膝盖上摊着一叠纸,手里捏着一支笔,就着门廊顶上的灯,在写。
捏笔的那几根手指头,指甲缝里全是墨。
写得很慢,写一行,停一下,抬头看一眼西南边的天,又低头写。
他听见马可推门,没有回头,说了第一句:
“她睡了没有?”
马可说:
“没有。”
那个人点点头,说:
“那就好。今天夜里,得有一个人醒着。”
马可说:
“先生贵姓。”
那个人说:
“司马光。”
段三·事件主体
司马光把笔放下,拍了拍身边那根圆木头。
他说:
“这是我的枕头。”
马可看着那根木头。圆的,放在台阶上,稍微一碰,就往一边滚。
司马光说:
“我写一部书,写了十九年。”
他说:
“写的是一千三百多年里头的事,一年一年,一件一件,排下来,给后来的人看,看前头的人怎么做对了,怎么做错了。”
他说:
“先让几个帮手,把所有书里的事,按年排出来,排成一长卷;再从那一长卷里挑,写成一大本;最后,我自己一句一句删。”
马可想起 Rose 那七十一本。每一天一行,每一年最后一页,一行。
他说:
“白天有白天的事。书,多半是夜里写的。”
马可问:
“为什么写了十九年?”
司马光说:
“一年的事,要看十几本书。一千三百年,你算一算。”
他说:
“夜里人会困。困了,一躺下,就睡沉了,睡到天亮,一夜就没了。”
他说:
“我就拿这一根圆木头当枕头。人睡浅的时候,头不动,木头不动。睡沉了,头一歪,木头一滚,我就醒了。”
他说:
“醒了,起来,接着写。”
他说:
“醒了,先看一眼灯。灯还亮着,接着写;灯灭了,添油,再写。”
马可说:
“那您一夜,醒好几回。”
司马光说:
“醒好几回。可是每一回醒过来,我都知道,我还在写。”
他说:
“写到最后几年,我眼睛看不清了,字写得歪歪扭扭,还是写。”
他又说:
“我写的时候,同一件事,几本书说得不一样。我都记下来,另外写一本,说我为什么信这一本,不信那一本。”
他说:
“后来的人要是不信我,可以翻那一本,自己看。”
马可想起王充,想起 Rose 那一页:人家说的。
他想起法要里每一条后头那一行来路。
马可跟他说了常玉山那一句:夜里三点,人是困的。十回里头,有三回是睡着了摸的。
说了陆晓那二十个小探头。
说了 Rose 这七十一年,九月里,每天夜里起来一回,看天。
司马光听完,又拍了拍那根木头。
他说:
“那个探头,是她们的警枕。”
他说:
“不是叫人不睡。人得睡。是叫人睡着了,天一变,也醒得过来。”
马可问他,小时候砸缸那件事,是真的吗。
司马光笑了,笑得胡子一抖一抖的。
他说:
“是真的。七岁。”
他说:
“一群孩子在院子里玩。有一个爬到一口大缸上,脚一滑,掉进去了。缸里是满的水,他在里头扑腾,头一下一下往下沉。”
他说:
“别的孩子都跑了,喊大人去了。”
他说:
“我没跑。我捡了一块石头,砸那口缸。砸了几下,缸破了,水哗一下流出来,他坐在缸底下,哭,没淹死。”
他说:
“我爹回来,看见那一地的碎缸片,看了很久,没骂我。”
马可说:
“那口缸,很值钱吧。”
司马光说:
“很值钱。那时候一口缸,一家人好几个月的钱。”
他说:
“跑去喊大人的,也没错。可是等大人来了,那个孩子已经沉下去了。”
他说:
“有些事,等不得。等不得的时候,就得舍得砸一样东西。”
马可问:
“您后来,还砸过别的吗?”
司马光说:
“砸过。砸的是我自己写了好几年的一大卷。写错了,全拆了,重写。”
马可想起今天一天,四千多张纸盘,第十一天,卷了。
卷早了,里头的会捂,捂坏一成。
这就是那一口缸。
司马光问:她要是卷了,没下,她怎么记?
马可说:记两个字:白卷。
司马光点点头,说:好。
他说:我那部书里,也有很多白忙的事。前头的人防一件事,那件事没来,后头的人笑他白忙。
他说:我照样写上。写:没来,也许是因为防了。
司马光拿起笔,在他那一叠纸上,写了一行,写完了,把纸转过来,给马可看。
马可看不懂那一行字。
司马光说:这是今天夜里。我写下来,是哪一年哪一天,谁在哪儿,为什么醒着。
他说:一千年以后,有人看见这一行,就知道,这一夜,有一个老太太没睡。
他说了一句,马可当时把笔拿起来了:
“睡得太沉的人,天变了也不知道;枕一根圆木头,不是不睡,是睡着了也醒得过来。”
马可当天在本子上抄了五遍。
他停了一下,写完下半句:
「常玉山那三回,是没有警枕。」
「陆晓的探头,艾合买提家的儿子,Rose 这一扇窗户,都是警枕。」
司马光把那一叠纸卷起来,揣进袖子里,把那根圆木头夹在胳膊底下,站起来。
他说:我那部书写完的时候,我六十六了,眼睛看不清,牙掉了一半,前头写的,回头就忘。
他说:我跟皇帝说,我这一辈子的力气,都在这部书里了。
他看了一眼 Rose 那扇亮着灯的窗户,说:她那七十一本,也是。
说完,他走下台阶,走进院子,风把他的袍子吹得鼓起来,他没有回头。
走之前,他又说了一句:你明天早上,也许会想,白熬了一夜。
他说:别这么想。
段四·钩子结尾
两点,风大了。
院子里那棵树,叶子哗哗地响,树枝一下一下拍在谷仓的铁皮顶上。
Rose 一直坐着,没动,眼睛看着窗户外头的黑。
两点半,Martin 从隔壁屋里出来,站在门口,也往外看,看了一会儿,又回去躺下了,还是没脱靴子。
两点四十几,Nora 下楼来了,没说话,坐在楼梯最底下那一级上,抱着膝盖。
三点。
屋檐上,响了一下。
马可的心一下子提到了嗓子眼。
很轻,嗒的一声。
又一声。
又一声。
马可站起来,走到窗户跟前。
窗户玻璃上,有了几个点,湿的,一个,两个,五个,歪歪扭扭往下流。
Rose 没站起来。她拿笔,在膝盖上那本本子上,写了一个时间:三点零二分。
她的手是稳的。三点零二分那几个字,写得比白天还直。
雨点落在门廊的铁皮顶上,嗒,嗒,嗒,隔一会儿一声,没有连成片。
马可数着。
数到二十几下,停了。
过了一会儿,又落了几下。
三点十二分,没有了。
风还在刮,刮得更大,可是天上没有东西落下来了。
Rose 又写了一个时间:三点十二分。
她说:过去了。
过了一会儿,她跟马可说:你也记上。三点零二分,三点十二分。
她说:两本对得上,才算数。
她说:尾巴扫了一下,扫过去了。
她又说:一九八一年,也是这样的风。
她说:那一年预报说一成。我那时候,一成还不收。
她说:那一夜下了三天。Harry 蹲在地头哭。
她说:第二年起,一成,我就叫他们收。
Martin 从隔壁屋里出来了,站在门口,听了一会儿,说:睡吧。
Nora 从楼梯上站起来,上楼去了。
马可问:地里呢?
Rose 说:地皮都没湿。
她把本子合上,靠在椅背上,闭上了眼睛。
马可以为她睡着了。
过了一会儿,她说:你去睡吧。
她说:我再坐一会儿。
马可走到门口,她又说了一句。
她说:七十一年,头一回,有人陪我听。
天亮的时候,马可去了地里。
他出门的时候,看了一眼门廊的台阶。
台阶上什么也没有。只是有一块地方,一尺多长,是干的,别的地方,落着几个雨点。
一根一根纸卷,躺在斜坡上,纸上有几个圆圆的小点,是干了的雨点印子,指甲盖那么大,稀稀拉拉,一张纸卷上三五个。
Rose 后来让 Nora 扶着也来了,拿手指头摸了摸其中一个雨点印子,说:这一点,就是今年的九月。
斜坡上的土,是干的。
Carol 一早就开车来了,站在地头,看着那一地的纸卷,看了很久。
她说:那十分钟,我在家里也醒着。
她又跟 Rose 说:你那一成捂软的,要是我还在厂里验,我会扣你们的分。
Rose 说:扣吧。那一成,是我买的。
隔壁那一家,前天没卷。他们家的纸盘,还是一张一张摊开的。
马可走过去看了看,纸盘上的葡萄,也是干的,几颗上头有一点湿印子,太阳一出来,就没了。
隔壁那一家的老头,站在地头,看见马可,冲他摆了摆手,说:白忙了吧?
老头的儿子站在他后头,没说话,一直看着 Rose 家那一地的纸卷,看了很久。
马可没说话。
回到屋里,Rose 已经在厨房桌子前头了,本子摊在面前。
她把九月一日那一行补完了:
「九月一日|卷|三成|下了,三点零二分到三点十二分,地皮没湿。白卷。」
马可站在她身后,看着那两个字:白卷。
那天下午,马可给阿里木发了一条:这边夜里下了十分钟,白卷。
阿里木回:我们这边昨天夜里刮风,我妈起来看了三回,看她那两串,看那两个探头。
他说:探头说干,她摸了也说干。她说,这回跟它说的一样。
他想起一月里她说的:九月里叫他们提前收,收了六十多回,白收的,四十多回。
今天是第四十几回里的一回。
他在本子上记了两行:
「三成,卷了。没下,白卷。少卖一成。」
「这一成,是买来的,买的是万一。」
Nora 在旁边看见了,问:马可,你在华尔街,这个叫什么?
马可说:叫保险费。
Nora 说:我奶奶叫它白卷。
马可说:她叫得比我准。
他把那一行拍了一张,发给他妈。
新泽西是中午,他妈很快回了:你陪她了?
他回:陪了。
他妈回:好。
Martin 算了一下,卷早了,打开以后,里头有一小半,捂得软了一点,要多晒几天,有一些,要降一档。
他从一个纸卷里掏出一把,攥了一下,松开,粘成一团。
Rose 看了一眼,说:打开,多晒三天。
他说:大概少卖一成。
四千多张,一成,是四百多张的钱。
Rose 听了,点点头,说:一成。
她说:保住了九成。
Nora 说:奶奶,没下雨。
Rose 说:没下雨,是天给的。卷了,是我们给的。
她说:明年,还这么卷。
她又转过头,跟马可说:明年九月,你还来?
马可说:来。
Rose 说:那明年,你跟 Nora,两个人醒着。
她停了一下,看着桌上那本二〇三七年的本子。
她说:明年这一本,你来记。
Nora 愣住了。
Rose 把本子推到她跟前,说:今天就开始。九月一日这一行,你照着我的,再抄一遍。
她说:七十一年了。我的字,写不直了。
Nora 坐下来,拿起笔,在九月一日那一行底下,一个字一个字抄。
她的字是直的,一笔一笔,跟她在学校写实验报告一样。
Rose 看着她抄完,说:写直了。
Rose 又说:每一天,一行,四截。日子。你说的。预报说的。天。
她说:你说的,头天晚上写。天,第二天晚上补。
Nora 说:我说的?我不会说。
Rose 说:那就写:不会说。写一年,就会说一点了。
她说:你那一栏,奶奶那一栏,明年你自己填。
过了几天,纸卷打开,那家老头又来看了一回,看见里头有一些捂软了,说:你们今年,少卖一成。
Rose 说:是。
老头说:那你明年还卷?
Rose 说:明年还卷。
那天晚上,Nora 在九月一日那一行后头,又补了一句小字:隔壁没卷。
那天夜里,Rose 屋里的灯,九点就灭了。
九月四号,纸卷打开,一卷一卷摊回斜坡上,再晒三天。
捂软了的那些,太阳一晒,又硬回来一点,可是颜色深了,皮上发暗。
九月八号,收盘。纸盘上的葡萄干,一张一张倒进大木箱,一箱一箱拉到城南那个合作社。
门口那张桌子后头,坐的不是 Carol 了,是一个三十来岁的年轻人,手边放着一台水分仪,一杆秤,一把小镊子。
是 Carol 留下的那一把。
年轻人验了一箱,挑,称,算,抬头说:二点四。
Martin 说:卷早了,捂的那一成。
年轻人点点头,在单子上写了。
那天晚上,那一行,是 Nora 记的:九月八日,收盘,二点四。后头她又写了三个字:白卷的。
Rose 坐在旁边看着她写,没说话。
欲知后事如何,请看下回,《笔阵》
本回附录
四篇附录合计比正文还长。默认收起,想读哪篇点哪篇。
东坡笔记Dongpo's Note0 字
苏东坡当夜记下的:这一回他看见了什么
Twenty-sixth of August, 2037, a Wednesday, Fresno. The trays had been on the ground seven days: 104, 106, 103 degrees, the sky blue without a thread of cloud. On the trays the fruit changed day by day: green going brown for two days, more brown than green by the fourth, wrinkled and going purple-black by the seventh. Every morning Rose sat at the head of the row, not looking at the field but at the sky to the south-west. Every evening Nora read her the forecast. The 22nd: a mass of cloud off Mexico moving north, fifteen per cent. The 24th: it had grown, and had a name, a tropical storm; its tail might brush southern California; the valley, fifteen. The 26th: it had edged north; the valley, twenty per cent, the night of the thirty-first into the morning of the first. Nobody spoke. Martin polished his shears for a long time.
"Bring the books." Not this year's: the years it rained. Thirteen of seventy-one Septembers, stacked on the table; she turned each to its last page. "In nine of the thirteen, the rain came between the tenth and eighteenth day after the trays went down. Those are the days the fruit is half dry and fears rain most. Wet fruit can take a rain and dry again; dry fruit dries off in the wind; half-dry fruit splits, the sugar comes out, the insects come, the mould grows. The thirty-first is day eleven." Twenty per cent. "At ten per cent I have them bring the trays in. At twenty, we roll." Nora: day eleven is early; the inner fruit isn't dry, rolled up it will sweat and spoil. "I know. Sweating spoils a tenth. Rain spoils half." Look at the forecast once more on the thirtieth; if it's still twenty or more, roll on the thirty-first at first light.
The thirtieth: thirty per cent. At five on the thirty-first, before light: "Roll." Martin, Nora, me, the young neighbours, and Carol, who had never seen trays rolled, let alone rolled against rain. Lift one end of the tray with the fruit on it and roll it toward the other end into a tube like a fat paper cigarette, fold both ends, leave it on the slope; rain on the paper runs down to the foot of the slope. Too loose and it won't shed rain; too tight and it can't breathe. From her chair: "Looser." Then: "That'll do." Four thousand trays from dawn to dark; at noon 102 degrees and nobody stopped. By sunset the old half was rows of paper rolls lying on the slopes like felled timber; in the south-west the white cloud had thickened and climbed, grey underneath.
That night I sat by Rose's window facing south-west; she sat beside me with the 2037 book on her knees. Martin lay in the next room fully dressed, boots on; Nora paced upstairs. Midnight: wind, the tree first, then the window frame; a wet wind. "It's turned." At one I went out to the porch. On the step sat an old man in a wide old robe and a soft black cap, a long white beard, beside him a round log a foot long and thick as a bowl, worn shiny at both ends, writing on a sheaf of papers under the porch light, pausing after each line to look at the south-western sky. Without turning: "Is she asleep?" No. "Good. Tonight someone has to stay awake." Sima Guang. — M.
马可备忘Marco's Memo0 字
分析师的复盘:数字、结论、他改了哪条规矩
Memo to file. Fresno, 26 August – 1 September 2037. A premium paid.
1. Rose's base rates. Of thirteen rain Septembers in seventy-one years, nine rains fell between day ten and day eighteen after the trays went down, when the fruit is half dry: it splits, sugar comes out, insects and mould follow. 31 August was day eleven.
2. Her rule. Ten per cent: bring the trays in. Twenty: roll. Nora's objection: rolled on day eleven, the inner fruit will sweat. "Sweating spoils a tenth. Rain spoils half." One more day of forecasts; still thirty; roll at first light.
3. The rolling. Four thousand trays, dawn to dark, 102 degrees at noon. Each tray rolled into a paper tube, ends folded, left on the slope; rain on paper runs down the slope. Too loose sheds nothing; too tight can't breathe. Carol came to watch and stayed to help.
4. The waking pillow. Sima Guang wrote his history for nineteen years, mostly at night. "Asleep lightly, the head stays still and the log stays still. Asleep deeply, the head tips, the log rolls, and I wake and write on." The probes in Shanxian, Ahmat's son on the three o'clock round, Rose's window: "Those probes are their waking pillow. It doesn't forbid sleep. People must sleep. It lets them wake when the sky turns."
5. The jar. At seven, a child fell into a full water jar; the other children ran for the grown-ups; he smashed the jar with a stone and the child lived. A valuable jar, months of a family's money. "Those who ran for help weren't wrong. But by the time the grown-ups came, the child would have gone under. Some things can't wait, and when they can't, you must be willing to break something." Rolling on day eleven, and the tenth it costs, is the jar.
6. The line. "Someone who sleeps too deeply doesn't know when the sky changes. A pillow of round wood doesn't forbid sleep; it lets you wake from it." Chang Yushan's three nights in ten had no waking pillow. He also wrote the night down: which year, which day, who was where and why they were awake; in a thousand years someone reading that line will know an old woman didn't sleep. "When my book was finished I was sixty-six, my eyes dim, half my teeth gone; I told the emperor all my strength was in this book." At her lit window: "Her seventy-one books are the same."
7. The rain. Two a.m., the wind louder, branches beating the barn roof. Half past two, Martin at the door, looked, lay down again in his boots. Three o'clock: a single tick on the eaves. Another. Drops on the glass. She wrote a time: 3:02. Twenty-odd drops on the tin roof, a pause, a few more; at 3:12, nothing, the wind still rising but nothing falling. "It's gone over. The tail swept past." The field? "The ground isn't even wet." She closed her eyes; I thought she slept; "Go to bed. I'll sit a while."
8. Morning. On the rolls, a few dried drop marks the size of a fingernail, three to five per roll; the slope dry. The neighbours hadn't rolled; their fruit dry too, a few damp spots gone at sunrise. "Wasted your effort, eh?" I said nothing. In the book: "1 September | roll | 30% | rain, 3:02 to 3:12, ground not wet. Rolled for nothing." One of her forty-odd times in sixty-odd.
9. The cost. Martin: rolled early, a fair share has sweated soft and needs more sun, some will drop a grade; about a tenth less at sale. Rose: "A tenth. Nine-tenths kept." Nora: Grandma, it didn't rain. "Not raining is what the sky gave. Rolling is what we gave. Next year, the same." On Wall Street I would have called the tenth the premium and the day's work the cost of carry. She called it rolling for nothing, and wrote it down in the same hand as the times it rained.
10. Where the rule came from. After the drops stopped: "1981 had a wind like this. The forecast said ten per cent, and in those days I didn't bring them in at ten. It rained three days. Harry crouched at the end of the row and cried. From the next year, at ten per cent, I had them brought in." On the porch earlier in the week: Harry came from the next town and married her in 1965; he never believed her about the sky, but he believed her about the trays. Since he died she has watched the sky alone for twenty-eight years. "Your mother sewed thirteen years; I've kept seventy-one. Both night work."
11. Voices on the premium. Carol, next morning: "If I were still at the plant I'd dock you for that sweated tenth." Rose: "Dock it. That tenth I bought." Nora, reading my note: what do you call this on Wall Street? A premium. "Grandma calls it rolling for nothing." Her name is better than mine. The neighbour's son stood behind his father a long time looking at our rolls and said nothing. Sima Guang, leaving: "Tomorrow morning you may think you stayed up for nothing. Don't." Asked if he ever broke anything else: "A great roll of my own writing, several years' work. It was wrong; I took it all apart and wrote it again." And he kept a separate book explaining why he believed one source over another, so anyone who doubted him could check.
12. The handover, in detail. "Every day one line, four parts: the date; what you say; what the forecast says; the sky. What you say, write the night before; the sky, the next night." Nora: what I say? I can't say anything. "Then write: can't say. Write for a year and you'll be able to say a little." Rose to me: next September are you coming? Yes. "Then next year, you and Nora, two of you awake." That night her light went out at nine.
13. The pickup. Unrolled on 4 September, three more days of sun; the sweated fruit hardened a little but darkened. 8 September, into the bins, to the co-operative, where a man of about thirty now sits at Carol's table with a moisture meter, a scale and the tweezers she left. "Two point four." Martin: rolled early, the sweated tenth. That line in the book is Nora's: 8 September, picked up, 2.4; and after it three characters: rolled for nothing.
14. Next. "Next year's book, you keep." Nora froze. "Start today. Copy the first of September after mine. Seventy-one years; my writing won't go straight any more."
英文精读English Highlight0 字
本回所引古文的英译与解读
"Someone who sleeps too deeply doesn't know when the sky changes. A pillow of round wood doesn't forbid sleep; it lets you wake from it."
Sima Guang, the Song historian who spent nineteen years compiling the Comprehensive Mirror for Aid in Government, was said to sleep on a round log so that when he fell into deep sleep it would roll and wake him, and he would get up and write. As a child of seven he was remembered for a different kind of alertness: when a playmate fell into a large water jar and the other children ran for help, he broke the jar with a stone and saved the boy.
A raisin grower facing a thirty per cent chance of rain on half-dried fruit makes a decision of the same shape. Rolling the paper trays early protects the crop from rain but costs about a tenth of its value, because some fruit sweats inside the rolls. In this chapter the storm's tail brought ten minutes of scattered drops and nothing more. The early rolling was, in hindsight, unnecessary.
Risk managers know the feeling: most hedges expire unused, and the premium looks wasted. The discipline lies in recording those days as honestly as the days the protection paid off, and in making the same decision next time.
"Not raining is what the sky gave. Rolling is what we gave."
速查表Cheat Sheet448 字
典故与现代对应,一行一条
| 八月二十六日到九月一日 | 出处 | 现代对应 | 一句话 |
|---|---|---|---|
| 纸盘摊下去第七天 | 一百零四,一百零六,一百零三 | 绿里透褐,褐多绿少,皱了往紫黑走 | 她不看地,看西南边的天 |
| 一成五,一成五,两成 | 墨西哥外头一团云,有了名字 | 三十一号夜里到一号早上 | Martin擦剪子擦了很久 |
| 下了的那十三年 | 九年是第十天到第十八天 | 半干的最怕雨 | 三十一号是第十一天 |
| 一成收,两成卷 | 卷早了里头会捂 | 捂坏一成,淋坏一半 | 三十号再看一天 |
| 三成,卷 | 四千多张,天亮卷到天黑 | 太松挡不住雨,太紧透不了气 | 再松一点;行 |
| 群儿戏于庭,一儿登瓮 | 众皆弃去 | 光持石击瓮破之 | 等不得的时候,就得舍得砸一样东西 |
| 以圆木为警枕 | 少睡则枕转而觉 | 探头是她们的警枕 | 不是叫人不睡,是睡着了也醒得过来 |
| 这一夜有一个老太太没睡 | 写下来,是哪一年哪一天 | 臣之精力,尽于此书 | 她那七十一本也是 |
| 三点零二分,嗒的一声 | 二十几下 | 三点十二分,没有了 | 尾巴扫了一下,扫过去了 |
| 地皮都没湿 | 隔壁没卷,也是干的 | 白忙了吧? | 马可没说话 |
| 九月一日:卷,三成,下了十分钟 | 地皮没湿 | 白卷 | 六十多回里白收的四十多回,又一回 |
| 卷早了,少卖一成 | 保住了九成 | 没下雨是天给的 | 卷了是我们给的 |
| 明年这一本你来记 | 九月一日这一行照着抄一遍 | 七十一年 | 我的字写不直了;下回:笔阵 |